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    • The History and Culture of
      Albanian traditional folk music
      • Appendix 1
        Traditional song lyrics
      • Appendix 2
        Map of the musical dialects of Albania
      • Appendix 3
        Interview with historian Fitim Caushi
      • Protocol v1.0
    • The impact of the internet and
      online technologies on
      session musicians
      • Appendix 1 – Interview with
        David Blacker, Airgigs
      • Appendix 2 – Interview with
        Altin Gjoni
      • Appendix 3 – Interview with
        Oleg Laverentev
      • Appendix 4 – Interview with
        Calum Robertson
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    • The History and Culture of
      Albanian traditional folk music
      • Appendix 1
        Traditional song lyrics
      • Appendix 2
        Map of the musical dialects of Albania
      • Appendix 3
        Interview with historian Fitim Caushi
      • Protocol v1.0
    • The impact of the internet and
      online technologies on
      session musicians
      • Appendix 1 – Interview with
        David Blacker, Airgigs
      • Appendix 2 – Interview with
        Altin Gjoni
      • Appendix 3 – Interview with
        Oleg Laverentev
      • Appendix 4 – Interview with
        Calum Robertson
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    • the ffusion project – albanian polyphony
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    • David Cummins
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  • Videos
  • Written work
    • The History and Culture of
      Albanian traditional folk music
      • Appendix 1
        Traditional song lyrics
      • Appendix 2
        Map of the musical dialects of Albania
      • Appendix 3
        Interview with historian Fitim Caushi
      • Protocol v1.0
    • The impact of the internet and
      online technologies on
      session musicians
      • Appendix 1 – Interview with
        David Blacker, Airgigs
      • Appendix 2 – Interview with
        Altin Gjoni
      • Appendix 3 – Interview with
        Oleg Laverentev
      • Appendix 4 – Interview with
        Calum Robertson
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david cummins logo

Seeing Yes at the Free Trade Hall, Manchester in 1972 started a lifelong passion for progressive rock

I’m passionate about making music! I’ve been inspired by so many greats since my first concert on the 8th September 1971 – Cat Stevens. And then I was so fortunate to see rock giants Yes and Pink Floyd in 1972, Emerson Lake and Palmer and Jethro Tull in 1973 as well as folk icons James Taylor and Ralph McTell – both of whom I’ve seen many times. It was such a great time for music.

In 1976 I played guitar  in a couple of rock cover bands and then my first ‘serious’ band in 1977, Heartsong, a folk harmony band performing covers and our own material that toured the club circuit until 1979. We had some success, even made an album. And then work got in the way.

My passion for music never diminished though. Fast forward to the 1990s and the Atari ST. I was writing and making music again using an early version of Cubase, synced to a Yamaha MT4X multitrack cassette recorder, and a great collection of synths I wish I had now.

It was also in the 1990s that my interest in world music developed. I had the opportunity to travel extensively around the world and the music and culture of the numerous countries I visited fascinated me– and back in the UK I continued to feed my interest in world music with many visits to Peter Gabriel’s WOMAD festival in Reading.

And so, here we are today with my latest musical initiative – the ffusion project. World music, progressive rock and ambient rock combined. My two musical passions fused together into one new whole. Making the music is a joy – hopefully you’ll hear that joy when you listen to it.

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